Een serie van documentaires die de historische, maatschappelijke en sociale impact laat zien van de Marvel Comics Universe op de mens en de wereld. Elke afzonderlijke documentaire laat zien hoe de visie van de filmmakers tot leven komt. Deze serie laat zien hoe Marvel Comics altijd invloed op ons leven heeft gehad.
 | Seizoen 1 Aflevering 1 Japanese Spider-Man Datum: 2020-11-20 Lengte: 51 min |
 | Seizoen 1 Aflevering 2 Higher, Further, Faster Datum: 2020-11-20 Lengte: 71 min |
 | Seizoen 1 Aflevering 3 Amazing Artisans Datum: 2020-11-20 Lengte: 52 min |
 | Seizoen 1 Aflevering 4 Lost and Found Datum: 2020-11-20 Lengte: 54 min |
 | Seizoen 1 Aflevering 5 Suit Up! Datum: 2020-11-20 Lengte: 48 min |
 | Seizoen 1 Aflevering 6 Unboxed Datum: 2020-11-20 Lengte: 39 min |
 | Seizoen 1 Aflevering 7 The Marvel Method Datum: 2020-11-20 Lengte: 43 min |
 | Seizoen 1 Aflevering 8 Marvel Spotlight Datum: 2020-11-20 Lengte: 66 min |
| Production | David Gelb | Executive Producer |
| Production | Brian McGinn | Executive Producer |
| Production | Jason Sterman | Executive Producer |
| Production | Harry Go | Executive Producer |
| Production | Shane Rahmani | Executive Producer |
| Production | John Cerilli | Executive Producer |
| Production | Stephen Wacker | Executive Producer |
| Production | Sarah Regan | Producer |
| Production | Jamie Garland | Coordinating Producer |
| Art | Patrick Clair | Creative Director |
| Crew | Yoshitsugu Kanemaru | Driver |
| Production | Carol Salek | Producer |
| Visual Effects | Eddy Herringson | Compositing Artist |
| Writing | David Neptune | Story |
| Production | Channing O'Neill | Post Production Coordinator |
| Camera | Kyle McCloskey | Digital Imaging Technician |
| Production | Amanda Rohlke | Producer |
| Crew | David Neptune | Translator |
| Editing | Nelson Mah | Digital Intermediate Colorist |
| Production | Melanie Robinson | Production Supervisor |
| Production | Misako Furukawa | Producer |
| Costume & Make-Up | Junko Nishio | Makeup & Hair |
| Production | Laura Seaman | Production Assistant |
| Crew | Atsushi Yoshioka | Driver |
| Visual Effects | Eben McCue | Animation |
| Production | Annalise Kurinsky | Post Producer |
| Editing | Andrew McAllister | Editor |
| Camera | David Bolen | Director of Photography |
| Production | Kai De Mello-Folsom | Production Manager |
| Production | Lexie Bravo | Coordinating Producer |
| Sound | Ryotaro Harada | Production Sound Mixer |
| Editing | John Pehlke | Online Editor |
| Production | Atsushi Yoshioka | Production Assistant |
| Visual Effects | Laura Heath | Compositing Artist |
| Sound | Jeremy Turner | Music Score Producer |
| Production | Desiree Nash | Production Coordinator |
| Costume & Make-Up | Yukiko Matsumoto | Makeup & Hair |
| Production | Yoshitsugu Kanemaru | Production Assistant |
| Visual Effects | Conor Kelly Lynch | Animation |
| Art | Eddy Herringson | Art Direction |
| Production | Brooks Harris | Associate Producer |
| Camera | Yuka Minami | Camera Operator |
| Art | Pete Sickbert-Bennet | Art Designer |
| Production | Jamie McBriety | Co-Producer |
| Editing | Tiffany Dixon | Assistant Editor |
| Production | Mai Takachiyo | Unit Production Manager |
| Crew | Lauren McIntyre | Post Production Assistant |
| Art | Leanne Dare | Creative Director |
| Editing | JJ Degen | Assistant Editor |
| Camera | Asumi Sako | Camera Operator |
| Camera | Makoto Kashiwakura | Best Boy Grip |
| Sound | Scott Michael Smith | Original Music Composer |
| Lighting | 田中洵 | Gaffer |
